Original Score for ‘Good Time’ wins 2017 Cannes Soundtrack award

Oneohtrix Point Never 

Original Score for ‘Good Time’ wins 2017 Cannes Soundtrack award

26/05/2017

Oneohtrix Point Never has taken home the prestigious Soundtrack Award at this year’s Cannes Film Festival for his visceral original score for ‘Good Time’.

Directed by Josh and Benny Safdie and starring Robert Pattinson and Jennifer Jason Leigh, the hypnotic crime thriller follows Pattinson’s Connie in a twisted odyssey through the New York underworld in a desperate attempt to get his brother out of jail.

Daniel Lopatin (Oneohtrix Point Never) and Josh Safdie became close friends through a shared love of cult genre movies and music, and their level of collaboration here has a rare depth of symbiosis of picture and score. Mundane events become dramatic, montages become mini operas and Iggy Pop features on the poignant closer ‘The Pure And The Damned’. ‘Good Time’ hits cinemas from 11 August.

Watch the official ‘Good Time’ trailer and read the first press reactions to Lopatin's stunning score below.

Good Time Trailer (Original Score by Oneohtrix Point Never)

Press on Oneohtrix Point Never’s ‘Good Time’ Score 

“more essential to [Good Time]’s tight clench is the knockout underscoring, an almost nonstop blitz of intoxicating electronica from Brooklyn-based experimental composer Daniel Lopatin, who records as Oneohtrix Point Never. Throughout, the prog-rock synth sounds conjure echoes of the vintage films of William Friedkin, Michael Mann and perhaps a hint of Assault on Precinct 13 John Carpenter, and yet the sonic carpeting never feels derivative.”
—Hollywood Reporter

"It’s perfectly matched with the score provided by Oneohtrix Point Never’s Daniel Lopatin, which nods to Tangerine Dream–style VHS thriller soundtracks of yore while going someplace far more inventive and expressive than most current imitators. Lopatin’s anxious squiggles of melodies and sonic assaults give us as good a sense as any of what it feels like inside Connie’s head."
— Vulture

"La bande-son elle aussi tourne le dos aux habitudes. Composée par le musicien électro Oneohtrix Point Never sur un mode qui oscille entre la prophétie de malheur et la rêverie, elle parfait la sensation de cauchemar éveillé qui finit par envahir le film."
— Le Monde