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Warp Records Broadcast New Mini Album 'Broadcast and The Focus Group Investigate Witch Cults Of The Radio Age' Out Now To Download

Broadcast and The Focus Group

Broadcast / Broadcast and The Focus Group

Broadcast:
New Mini Album 'Broadcast and The Focus Group Investigate Witch Cults Of The Radio Age' Out Now To Download

 


In anticipation of their own full-length album due next year, Broadcast are back with a new collaborative mini-album 'Broadcast & The Focus Group Investigate Witch Cults of the Radio Age' and a month long US tour... it is with great excitement that we announce this new release...available now to download!

  • A collaborative mini-album available digitally now (iTunes/Bleep)
  • Available on CD and vinyl on Oct 26th
  • Vinyl also available on US tour dates with Atlas Sound
  • Video above and free mini-album trailer mp3 download available below

Download available now from Bleep.com
Download available now from iTunes
Preorder CD/LP from Bleep.com - out 26th October

From their beginnings in Birmingham in 1995, Broadcast’s aesthetic has remained a combination of their love for film, library music and electronics with psych-pop colour – a style which has gained them fans including musicians such as Flying Lotus, Tim Gane from Stereolab, Grizzly Bear, Atlas Sound and Dangermouse.

The Focus Group is Julian House, long time friend of the band and renowned artwork designer. House is co-founder of the Ghost Box label, which in the last few years has birthed a cult of its own with releases reflecting its creators' obsessions with library music, English folklore and the eerie feel of vintage programmes for schools and colleges. His music as the Focus Group offers some of the most enchanting distillations of all the above, instantly complementing Broadcast's own long-standing aesthetic.

'Broadcast And The Focus Group Investigate Witch Cults Of The Radio Age' is their first collaborative release, a mini-album available digitally now, and on CD and vinyl from Oct 26th. A limited quantity of vinyl albums will also be available on the band's US tour dates with Atlas Sound - dates at the bottom.
 



The audio trailer... put it on... read the story...




Download the above 5-minute trailer MP3 for free here

Some party. I only realised that the punch had been spiked when I started laughing at things that weren’t funny. I staggered out into the mansion’s highland gardens to get some air and to try and get some kind of peace and quiet in my busy head, but it was no use. Even outside everything around me became louder, weirder, brighter, darker, I just couldn’t seem to get a hold on anything normal at all. The warm night’s breeze seemed to blow me towards a dimly lit path that led me to a large, ancient walled garden. And right in the middle of this walled square sat a huge black cube, which seemed to be making peculiar disjointed twinkling sounds. I looked around and I swear that all the plants and herbs and everything planted was watching, listening and moving about to the sounds this giant cube thing was making. I remember thinking it was all quite enchanting but in the wrong sort of way.

After sometime (but I don’t know how much) I turned and left the walled garden and headed back towards the mansion. From a distance it looked very alive, all its windows full of light and moving colours. I wandered past a derelict swimming pool with no water and a broken springboard. I only recall this as I narrowly missed falling right into it. Eventually I found myself at the back of the grand house, where I stumbled in though large open double doors. It was the old meat store; a bright blue light was on and I can remember the cold, the dead hares, pheasants, grouse and a deer swinging from hooks above me. The pungent smell of death was almost as confusing as the dark and sticky floor. I moved on and into the heat of the vast ancient Kitchen. It was busy. There was a raging fire and a pig was roasting and crackling over the flames. Cooks were frantic. I was hurried on my way. I followed the throbbing of the walls and movement of other guests into the old panelled ballroom where the evening festivities had originally begun. This time it was different, much darker, people everywhere were wearing hats or masks or costumes. Out of the strobing lights ahead I could make out a pair on the stage, a man, a woman and an old tape machine. This was Broadcast. They were making rhythms and sounds I had not experienced before but they all somehow seemed in tune with the noises my mind wanted to hear. The crowd seemed to move and sway as one - I’d read about these kinds of “happenings” before, now I was in the middle of one. We were all under some kind of spell, entranced by whatever we’d unknowingly consumed and what peculiar vibes the house, the band and the people inside it could stir up. I’m convinced halfway through this performance everything started to go backwards.

The house was so big I wanted to see more. I found old libraries, smoking rooms and more oddness. There was nudity, cavorting, collapsing everywhere. One room I found had nothing inside except for white walls, caged birds and a grey parrot which made a funny ticking noise. Eventually I joined a cue of conscious revellers making their way up the large oak staircase. “What’s up here” I asked the cat in a cravat and shades in front of me. He turned and told me “use your key man, use your key”. It was then I remembered that the party invitation was a key, but only now I realised why.

Nothing on this first floor would open for me and my key. I carried on searching for my door, up another smaller flight of stairs and along corridors with walls covered in paintings of burning landscapes. Higher and deeper into the house I walked, losing all sense of where I was or how long I’d been there.

I can’t even remember finding my door, but clearly recall unlocking and walking into a candlelit room with a circular table and six or seven people sitting there waiting for me. I took my seat and the girl next to me whispered “this is The Focus Group…join hands”. The scene conjured up images of dead magicians, devil worship and something of my grandmother. And then the sounds started. It was like hearing a wireless being tuned into my life, as though someone was cutting up all the music I knew about and was giving it back to me but as a puzzle I couldn’t work out. I closed my eyes and saw my past and my future all drifting before me, memories of old friends, enemies, laughter, love and a touch of fear. I could see orchards, ships, graveyards and picnics. I was floating, swimming in sound and divine thought.

I have no idea of when, where or how I left the mansion or even got home. All I have of the evening are these rapidly fading recollections, the key and an unusual bruise on my left thigh. I’d like to go back again. But wouldn’t drink the punch next time.

- Jonny Trunk



Broadcast and Atlas Sound North American Tour


OCTOBER
15 Atlanta, GA @ The Earl
16 Chapel Hill, NC @ Local 506
17 Washington, DC @ Black Cat
18 Philadelphia, PA @ First Unitarian Church Sanctuary
20 New York, NY @ (Le) Poisson Rouge
21 Brooklyn, NY @ Music Hall of Williamsburg
22 Boston, MA @ The Paradise
23 Montreal, QC @ Le National
24 Toronto, ON @ Lees Palace
25 Columbus, OH @ Wexner Center
26 Chicago, IL @ Bottom Lounge
27 Northfield, MN @ The Cave
30 Vancouver, BC @ Biltmore Cabaret
31 Seattle, WA @ Neumos

NOVEMBER

01 Portland, OR @ Doug Fir Lounge
03 San Francisco, CA @ Great American Music Hall
04 Los Angeles, CA @ The Troubadour
05 Phoenix, AZ @ Rhythm Room
07 Denton, TX @ Hailey's Cancelled
08 Austin, TX @ Fun, Fun, Fun Festival *

All dates with Atlas Sound and The Selmanaires except for *

 

22nd September 09

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Broadcast and The Focus Group Investigate Witch Cults Of The Radio Age - Download Now From Bleep

 
 

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